ALEXANDER SETON

 

b.1977

 

CV

 

NATIONALITY

 

Australian

 

QUALIFICATIONS

 

1998      Bachelor of Art Theory and History, College of Fine Arts,

            University of NSW Australia

 

SOLO EXHIBITIONS

 

2009    Supplementary Restraint System, Jan Murphy Gallery, Brisbane

2008    On Hold, Melbourne Art Fair, Jan Murphy Gallery

            Memeoid, ChalkHorse Gallery, Sydney

2007    Panoply, ChalkHorse Gallery, Sydney

            Security Blanket, Jan Murphy Gallery, Brisbane

2005    Stay on Message, Maunsell Wickes@BSG, Sydney

            We Gotta Get Out Of This Place with Ben Quilty, Jan Murphy Gallery, Brisbane

2004    New Works, Maunsell Wickes@BSG, Sydney

 

GROUP EXHIBITIONS

 

2009    09 Sullivan and Strumpf, Sydney

2008    Step Right Up! Albury Regional Art Gallery

            Woollahra Small Sculpture Prize, Woollahra Council Chambers                 

            Sculpture 08, Maunsell Wickes Gallery, Sydney

2007    Arc Biennale, Brisbane 

            Replicotta Warriors, Chalk Horse, Sydney

            Sculpture 07, Maunsell Wickes@BSG, Sydney

2006     New Social Commentaries 2006, Warrnambool Art Gallery

            Sculpture by the Sea, Bondi, Sydney

            The Green Zone, ½ dozen, The Palm House, Botanical Gardens, Sydney

            Flamin’ Youth, Orange Regional Gallery

            Helen Lempriere National Sculpture Award (Finalist), Werribee

            Sculpture By The Sea, Cottesloe

            Artists Against Sedition Laws, Casula Powerhouse

2005    McClelland Sculpture Survey and Award, Victoria

            March of the Miniatures, Defiance Gallery, Newtown

            Woollahra Small Sculpture Prize, Woollahra Council Chambers

            10th Anniversary Exhibition, Jan Murphy Gallery, Brisbane

            Sculpture 2005, Maunsell Wickes@BSG, Sydney

2004    Sculpture By The Sea, Bondi, Sydney

            The Year in Art, S.H. Ervin Gallery, Sydney

            Sculpture 2004, Maunsell Wickes@BSG, Sydney   

2003    Sculpture By The Sea, Bondi, Sydney

            Darling Park Sculpture Exhibition, Sydney

            Hazlehurst Regional Gallery, Sydney

            Ripdff, Flinders Hotel, Sydney

            Flavour, Lidi Gallery, Sydney

2002    Sculpture By The Sea, Bondi

            Sculpture Inside, Bondi

            Darling Park Sculpture Exhibition, Sydney

            Thursday Plantation Sculpture Exhibition, Ballina

2000    RFA Gallery, Sydney

            Studio W Inaugural Exhibition, Sydney

 

SYMPOSIUMS / RESIDENCIES

 

2007    Hanyu International Sculpture Cup, Shenzhen, China

            The Flying Fruit Fly Circus Residency, Albury Regional Gallery

2006    Creation Sculpture Symposium, Brisbane Art Festival

2005    Invited Artist International Sculpture Symposium, Mount Gambier SA

2003    Carlos III International Sculpture Symposium. Cordoba, Spain

2000    Artist In Residence, Mosman Art Gallery

 

COMMISSIONS

 

2009    St Ignatius’ College Riverview

2008    Albury Regional Gallery

2006    Allen and Unwin Publishing

2004    The SXS Patron Series Artist

2000    Artist In Residence Mosman Art Gallery

Ecos Corporation Collection

1999    Domain Corporation Group Collection

 

AWARDS

 

2008    Special Commendation. Woollahra Small Sculpture Prize.

2006    People’s Choice Award. The Helen Lempriere Sculpture Award

2005    People’s Choice Award. Woollahra Small Sculpture Prize.

2004    The AGNSW Director’s Choice Award

The Riverview Art Prize

2003    The AGNSW Director’s Choice Award. SXS

The John Fairfax Young Artist’s Subsidy, SXS

2002    The Australian Unrepresented Sculptor Award. SXS

            The Young Sculptor’s Honorable Mention. SXS

Second Prize. Sculptor’s Society Darling Park.


 

COLLECTIONS

 

            The Queensland University Art Museum

ArtBank

ARTS ACT Canberra Civic

Albury Regional Gallery

Pat Corrigan Collection

Balnaves Foundation Collection

Canberra Civic Collection

AGNSW Society Member’s Collection

The Danish Royal Art Collection

Newcastle University Art Collection

HBO Collection, New York

Omereck Collection, France.

Sheraton Hotel Collection, Sydney

Private collections Australia and Abroad

 

 


Biography/Statement

 

Alex Seton is an Australian artist from Sydney NSW. Alex’s artwork has earned a growing reputation based upon producing carved marble and synthetic stone sculptures that play on optical illusion and the perception of surface. The work uses the tension and often contradiction between the traditional laborious skill of carving and use of contemporary subject matter and concerns. It is that contradiction that opens the door to questions of the nature of choice, whether it be to satirize the 'empire making’ nature of the monumental and questioning the currency of political intimidation (such as in 'Panoply' 2007) or personal armor (such as in 'On Hold' 2008). It is in the outrageously implausible realization of concrete barriers, couches, toffee apples, beanbags and doonas, that the possible is called to account.

 

Alex graduated from the College of Fine Arts, University of New South Wales. He has exhibited in numerous Australian national exhibitions over the years, including Arc Biennale, Queensland 2007, Sculpture by the Sea, Bondi four times since 2002, the McClelland Sculpture Survey 2005, The Helen Lempriere National Sculpture Award 2006 and New Social Commentaries 2006, Warrnambool Art Gallery. Seton has participated in group shows such as the 2007 Hanyu International Sculpture Cup, in Shenzhen in China, Carlos III International Symposium in Cordoba, Spain. He has had a number of solo shows, including both 'Security Blanket' at Jan Murphy Gallery, Brisbane, and 'Panoply' at Chalk Horse Gallery, in 2007, and Memeoid at Chalk Horse in 2008. His work is featured in a number of major national and international collections, including Artbank Australia, and The Danish Royal Art Collection

 

 

Additional Statement:

 

Marble is the most ‘plastic’ yet conceptually ‘concrete’ of all mediums. Its historical connotations to headless gods and goddesses of old, to the monuments of empire make it perfect to toy around with in a modern context. This gives me the ability to both deceive and surprise. I’ll often create tactile illusions that the medium affords to reset the question ‘what am I looking at, and why?’. The act of carving is a deliberate and time consuming act that can often undercut the efficacy of personal expression, but while frustrating naturally leads to questions of states of being.

These recent artworks are worked carefully to recreate a sense of tension and release, to exist within two states at once, up/down, on/off, open/closed. I have always enjoyed the deliberate interplay of material, its history and language, with personal expression that sculptural forms afford, the questions that arise as a result.


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